(Floor) Artistry in Nanning: The EF

Yeah, so it's REALLY late to make a Worlds post, I know. This is just the first of three or so on artistry, but I'll get to them before the end of the year at least. Just be patient.

We're all accustomed to the claims the the sport is totally lacking in artistry and should just drop that part of the name and kick out anyone bigger than a size 2 and just shut down all the programs outside Europe except with maybe of the exception of the China, depending who you're talking to, and lynch Martha Karolyi while we're at it- or, at least, we're used to the whining of the artistry trolls who can't accept that the sport won't evolve from what it was in the 80s, and the rest can often be easily inferred. So, what was the artistry situation really like this year? I decided to take a look at some top routines from Worlds (and some of my favorites as well) to get a general temperature of (floor) artistry in 2014.

On tonight's episode of (Floor) Artistry in Nanning- the 8 routines of the floor event final!

Simone Biles

This is the kind of routine the trolls mentioned above love to crucify with no real reasoning as to why. Simone is a real performer and it is on perfect display in this routine. Her amazing eye contact, totally genuine dazzling smile, and even fun expressions before her mind-blowing tumbling passes make for the most enjoyable performance. This routine works with all her strengths and is another example of Dominic Zito at his best. This routine interprets the music perfectly. Her low to the floor bit is especially in tune with the accompaniment. The choreography also does a great job of capturing the fun nature of the music and making it like a party instead of a grueling test of physical ability. I love the way she is constantly moving from one skill or gesture to the next. This routine never stops and continues seamlessly as one complete, cohesive unit. I also love how well her trademark cartwheel was incorporated into the ending!

Larisa Iordache

I definitely prefer this routine to her guitar one from 2012. Larisa is one of the best gymnasts at working with the regulations of how long the gymnasts may stand in the corner. She has great body movement and does a great job of moving her body along with her arm and leg movements instead of having disconnected gestures. Larisa does a really good job of combining punctuating movements with extended ones to shape the music. I also like the way she changes the way she holds her hands and head position to add flourish and depth to her choreography and get in lots of good eye contact. It's a really great energetic and joyful routine but still mature.

Aliya Mustafina

This routine is just so- empty. I finish the routine and wonder where exactly the choreography was. It's good, but... she can do so much more than this! She does, as Christine says, have a beautiful shoulder line and nice smooth movement. She just spends so much time setting up for turns or getting into place for them with extremely simple movement. Aliya has just had such underwhelming routines that don't take advantage at all of what she can put forth since London! Just- the Rods! Like I said, it's good, but it should be so much better than good.

Mykayla Skinner

Mykayla is most certainly not the best dancer. She is fairly stiff, especially in her upper body movement. Whereas Aliya has great movement but lacking choreography, Mykayla- well, she doesn't have great choreography but it does fill the routine, but her quality of movement is just not there. Usually I prefer gymnasts who don't have the most natural movement to perform routines like this instead of crowd-pleasing ones, but her folk routine worked for her because she was able to have angular movement for the music. I think she handled it pretty well in the final and it was definitely her best performance, but there's only so much you can do when you are stiff in movement.

Vanessa Ferrari

Like her Last of the Mohicans routine, this is really a Vanessa-only routine. The choreography itself really isn't the greatest and fairly repetitive, but Vanessa is exactly the one to perform it. She makes it dramatic and full of flair and somehow regal. It suits the music and fits it easily, and her interpretation of the slower part is similarly perfectly Vanessa. There's really not much more to say about this routine. Vanessa makes this routine.

Larrissa Miller

Larrissa is elegant, no doubt. But where is the musicality in this routine? Her movements seem to have little to no relation with the music. Christine says that she seems to be waiting for the music- this describes her less than serendipitous relationship with the accompaniment. She also seems to be a bit stiff in her movement at times, though not as bad as Mykayla. The best choreography is definitely between her second and third tumbles.

Erika Fasana

Erika has amazing presence here. Very aggressive and she really attacks her movements. Works well with the slightly different music choice. She really has a flair for the dramatic. The choreography isn't always the greatest, but it has some really good moments as well. I especially love the sequence after her leap passage and before her final tumble. Nice variety between sharp movements and smooth ones and really exciting moments. She moves quickly throughout the routine but really does a good job of interpreting the music. I also really love how Erika is pulling in toward herself and tossing her back backwards throughout the routine. The routine seems to pass fairly quickly because Erika moves so quickly and it is such a forward moving routine but she really packs in a lot of good artistic work.

Claudia Fragapane

I'm still so sad about that fall! What is there really to say about this routine? It's just so mind-blowing! Claudia has such unique, fun, and exciting choreography! It totally works with the unusual music choice. Claudia has perfectly combines her skills with dynamic artistic work. The best sequence is definitely in the corner after her leap pass. The leap to prone position is so exciting, and is the falling spin into the back spin into the toss to her knees. She shows such delight in her movement and is just so much fun to watch!

Overall, I'd say the artistry in the floor EF was... okay. There were some really fun routines to watch, there were some fine ones, and there were some flat ones. Quality of movement definitely needs to be addressed in gymnastics as there was some fairly stiff work. The best routines in this final were exciting and crowd-pleasing ones as opposed to elegant ones, which were strangely lacking. Performance quality was good, as a lot of the gymnasts seemed to really enjoy what they were doing and drew in the audience to watch.